At the 2025 Ivors Academy Ceremony in London, Raye was celebrated not just as an artist but as a fearless advocate for songwriters. On October 2, in the heart of the city, she received an Ivors Academy Honour, marking a milestone in her journey of combining music and activism. This moment is powerful—not just for the trophy but for what it represents in a music world craving fairness and recognition of its creators.
Setting the Stage: What Happened, Where & Why
Thursday night, October 2, 2025 — the InterContinental London Park Lane played host to the inaugural Ivors Academy Ceremony. The event was designed to shine a spotlight on those who push the industry forward: champions, creatives, leaders. Among the eight honorees was Raye, selected for her relentless support of songwriter rights, her public campaigning, and the real change she’s pushed for behind the scenes.
She was joined by names like Kae Tempest, Sir Richard Branson, Jon Platt, Kanya King CBE, Sir Chris Bryant MP, Catherine Manners, and the posthumous recognition of John Sweeney. Together, they symbolized a movement: creators and supporters who believe the system can—and must—be better.
Why Raye’s Recognition Matters
Here’s where it gets meaningful. Raye wasn’t given this Honour just because she’s successful (though she is). She earned it for using her platform—persistently and unapologetically—to fight for people behind the music.
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She’s long been vocal about the imbalance in the industry: how creators often get the short end when it comes to pay, recognition, and structural support.
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One tangible win tied to her work: securing per diems for UK songwriters, a step toward ensuring they’re compensated fairly for their time and labor.
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On stage, accepting the Honour, she said something unforgettable:
“Being a songwriter is also one of the greatest privileges. I think it’s something that should be about grafting and talent, not about how rich you are…”
That line is so Raye. It cuts through the noise. It reminds us—creativity should not be reserved for those born into privilege.
The Others in the Spotlights
While Raye was the headline, the night was about more than one person. Let’s name a few:
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Kae Tempest: Honoured for their bold creative voice and their contributions to social justice, identity, and LGBTQI+ representation.
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John Sweeney (posthumously): Recognized for decades of advocacy, from supporting songwriters to co-founding the PRS Foundation.
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Sir Richard Branson, Jon Platt, Kanya King, Sir Chris Bryant, Catherine Manners: all honoured for leadership, support, and innovation that elevates the community of creators.
Each honouree represents a piece of the puzzle: artists, executives, policy makers, allies. It underlines that change needs many hands.
Raye’s Path to This Moment: The Backdrop
To understand this moment fully, you need context. Raye’s journey has never been just about her hits or her charts—it’s always been intertwined with boundaries, boldness, and demanding a seat at the table.
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She has long pushed against traditional label constraints, often speaking out about how deals and streaming models undervalue creators.
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Her career has seen her wear multiple hats: songwriter, collaborator, solo artist, campaigner.
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She’s not just making music—she’s trying to change the ground beneath it all.
That dual path—art + activism—isn’t easy. It invites criticism, fatigue, resistance. But nights like the 2025 Ivors Academy Ceremony show it can yield something real.
What Her Honor Means for Songwriters Everywhere
When Raye steps up and says, “Look, this is broken,” and others listen, it’s not just a personal win. It becomes a reference point for others who’ve felt sidelined or silenced. The Honour serves as:
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Validation — That those who fight behind the scenes can be seen.
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Amplification — A moment that directs media and public attention to songwriter issues.
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Momentum — It helps build pressure for real policy, for fairer deals, for better systems in the music industry.
For any songwriter struggling—financially, structurally, emotionally—this is a reminder: voices can shift things. And sometimes, credit comes where it’s due.
A Few Highlights from Her Acceptance
Whenever someone gives a speech that feels like an anthem, you pause. Raye’s words did that. She didn’t get up there to just collect a plaque—she used the moment.
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She reminded the audience that songwriting should reward “grafting and talent,” not financial backing.
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She grounded the Honour in principle—not celebrity.
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She positioned her work as collective—not solo. It’s part of a fight, not a personal trophy case.
Moments like that stick with you.
Looking Ahead: What this Could Spark
Raye’s recognition is both celebration and challenge. Now eyes are on how the industry, institutions, and fellow artists respond. A few things to watch:
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Will other countries or music bodies adopt similar honours or mechanisms to uplift songwriters?
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Will this push labels and platforms to more transparent, fairer royalties and contract terms?
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Will more artists feel empowered to speak out, to fight for their peers, not just for themselves?
If the 2025 Ivors Academy Ceremony is a spark, the real question is: will it ignite lasting change?
Final Thoughts: Why This Story Resonates
I’m drawn to this event not just because Raye “won something.” I’m drawn because what she stands for resonates deeply. In a world where creators are often invisible, being seen for advocacy matters. In a system built for giants, standing up for the small voices takes guts.
So here’s what I take from it—and what I hope you take too:
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Recognitions like this are tools—theyn’t just rewards.
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Artists who use their platform responsibly shift more than just culture—they shift policy, narrative, power.
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And maybe, just maybe, in celebrating Raye at the Ivors Academy Ceremony, we’re celebrating possibility.
If you’re a creator, a fan, or someone who cares—this is the kind of moment to bookmark. To remember that music isn’t just entertainment—it’s labor, identity, resilience, and yes, sometimes revolution.










